The four roles in the play are about the same size as each other: it’s malleable enough that you could find a space to cast pretty much anyone of any race, gender or nationality in it provided they were under the age of 50 or so. It’s a fascinating concept: presumably if the producers can keep luring in big names with discrete fandoms, there’s no real reason it can’t carry on more or less indefinitely. And this year we’re being treated to the inaugural acting performance from Cheryl, the erstwhile Girls Aloud star who seems to have left the concept of a surname somewhere in the rubble of her endlessly documented recent past. Last year we had stage debuts from Tom Felton – aka Harry Potter’s Draco Malfoy – and Laura ‘Love Island’ Whitmore. Since then it’s played another four West End seasons, and while I’m sure good word of mouth and the scarcity of supernatural Theatreland thrillers have played a part, it’s pretty clear that its audience has been expanded via the medium of increasingly wild casting. And Matthew Dunster’s production originally starred singer Lily Allen – an unexpected bit of casting, but not an outlandish one, given she sincerely seems to be making a move into acting. It started life in the summer of 2021 as a novelty: a four-hander ghost story from the writer of the hit podcast series ‘The Battersea Poltergeist’, deployed to plug the programming gap at the Noël Coward Theatre while the musical ‘Dear Evan Hansen’ was waiting to come back post-pandemic. From May 14 a new cast of Sophia Bush, Ricky Champ, Clifford Samuel and Jaime Winstone will take over as the play transfers to the Apollo Theatre.ĭanny Robins’s ‘2:22’ is a bona fide West End phenomenon. This is a March 2023 review of the fifth cast of ‘2:22’, which has now completed its run.
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